Rants and reactions to contemporary politics, art and culture.
Wednesday, July 26, 2017
Austin Journal: The Bat Cave
photograph by Hallie Cohen
There is a bat cave under the Congress Avenue Bridge which
runs over Lady Bird Lake in Austin. On a summer’s night crowds wait at dusk
along the banks of the river, as a few remaining kayaks and paddle boats make
their way downstream. In the distance are the Hyatt, Radisson and Four Seasons
Hotels which loom over Gotham. When the sun sets just enough and the
light is right, the bats emerge to the cheers of the throngs and they keep
coming. The amount of bats that have been hibernating is what's so
astonishing. It’s not hundreds but thousands and they fill the sky like biblical
locusts. There's a strange sense of familiarity, almost déjà vu that you feel
even if you have not seen the dark explosion which fills air and there’s a
desire to call out the names of your favorite superheroes or Hollywood stars who played them (like Michael Keaton as Batman/Bruce Wayne). But what's even more telling is the
collective sense of awe created by the almost unimaginable and seemingly
unending outpouring of creatures all liberated at once by the coming of night.
The crowds of spectators exploding with cheers at the appearance of the bats is something like a standing ovation at a great theatrical or operatic event.
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Francis Levy's debut novel, Erotomania: A Romance, was released in August 2008 by Two Dollar Radio.
His short stories, criticism, humor, and poetry have appeared in The New York Times, The Washington Post, The New Republic, The Village Voice, The East Hampton Star, The Quarterly, Penthouse, Architectural Digest, TV Guide, The Journal of Irreproducible Results, and other publications. One of his Voice humor pieces was anthologized in The Big Book of New American Humor (HarperCollins). His collection of parables, The Kafka Studies Department with illustrations by Hallie Cohen will appear in
September.
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