San Francisco Earthquake of 1906 (photo: H.D. Chadwick) |
Have you ever been around the kind of person who has
something disgustingly positive to say about everything? There are people who
lose the ability to feel pain. It’s actually a serious condition since however
nice it might be eliminate the nerve receptors that are sensitive to
discomfort, we would also be deprived of one of nature’s warning systems. On
the psychic level the same came be said of depression. Pharmaceutical companies
make huge amounts of money producing anti-depressants that sometimes provide a
dubious service. Numb and Number could
be yet another sequel to Dumb and Dumber. But
let’s go back to the juggernaut of positive emotions expressed by our
hypothetical obnoxious acquaintance. Imagine him or her getting kidnapped by
terrorists and attempting to explain the good side of being held incommunicado
in a coffin sized box for days. Imagine the self same person being mistakenly
detained, undergoing “extraordinarily rendition" and trying to express their
excitement about being waterboarded or the glamour of getting maced. Imagine someone describing the
joys of a head-on car crash, a mugging or a mountain climbing accident. As far
flung as it may seem, you have undoubtedly encountered people who display this
kind of disconnect. Their iterations of human existence display a homogeneity
and are always recounted in the same sing songy tones. “Daddy was so happy to
see all of us, before he finally croaked,” “Bob seems perfectly OK about the
loss of his job, his wife and his house,” “I was so happy to get the lousy
evaluation at work since I know my boss was right.” You ask one of these creatures how they're doing after their life’s work has come to naught and they exclaim, “I can’t complain!” Sure they can, but they can’t and there’s the rub. Many of these gargoyles are
probably deeply traumatized individuals who might murder themselves or others
if they faced their so-called feelings. Voltaire’s Dr. Pangloss (a stand-in for Leibnitz) who famously said
“all’s for the best" in the "best of all possible worlds,” was the pied piper of delusional
optimism. And Voltaire’s great work ends with Candide rejecting his mentor’s
misguided view of the world.
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