Is it "unearned bipartisanship?" What about these strange bedfellows, the cast of characters left behind on the platform now that the train has left the station--fascist anti-semites and campus radicals, fundamentalist Christians and radical feminists? The grief over the death of democracy has also produced an energy seeking to attach itself to a nascent cause. Will Liz Chaney be the Joan of Arc in this new production? Success was kryptonite for The Producers, a rolickingly complex conceit. Wanted: one lyricist to create a "Springtime For Hitler" inTerminator-like landscape where "the centre cannot hold."
read the review of The Kafka Studies Department in Booklife
and listen to "Tell It Like It Is" by Aaron Neville, Bonnie Raitt and Gregg Allman
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