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photo: The Rumpus |
Sam Lipsyte is the flavor du jour. He’s every where and some
authors feel flattered when reviewers favorably compare their books to say his
novel
The Ask. So let’s look at his
latest story in
The Paris Review
entitled,
“This Appointment Occurs in the Past, "(
Paris Review, Summer 2012). The plot is almost incidental. The
narrator who is living and occasionally sleeping with his former mother-in-law,
Ondine, in Ypsilanti responds to the call of Davis, a friend who is dying. The
narrative is no more than an occasion for the absurdist anti-spiritual maxims and
formulations which are the building blocks of a philosophical prose poem. The
title of the story, for example, is an app that pops up on his phone, “one of
those phones that did everything” whenever the narrator attempts to calendar something.
Soon after Davis asks the narrator, “So what’s your life plan?” “Drinking…One
day at a time," is the response. It’s plain we are in a counter universe driven
by a handbook whose directions are all distortions of familiar catchphrases. It’s almost like
spiritual science fiction, a parallel universe in which all the familiar
signposts are turned on their heads. “We were poseurs, but why do you think
poseurs pose? Because they want to be invited to the realm of the real, an
almost magical zone of authentic sensation, and they know they’re not
qualified” Lipsyte’s character muses. Authentic existence is Lipsyte’s subject. Heidegger used the
world
Unheimlichkeit which literally means not being at home, to refer to inauthenticity. For Freud the same word connoted what he called “the uncanny.”
Umheimlichkeit, in both the connotations employed by Heidegger and Freud, seems
like a term that would apply to the world of Lipsyte’s story.
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