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| photo: Amanda Segur Royal Young’s Fame Shark should really be called Fame Piranha since it describes the sensibility of an omnivore and polymath who is plainly intent on gobbling up reality. Even though it’s a memoir Fame Shark reads like an old fashioned bildungsroman and aficionados of Yiddishkeit will appreciate the comparison between the Lower East Side that Young (aka Hasak Brozgold ) describes and the immigrant world of the Henry Roth classic Call It Sleep. Fame Shark is really American Psycho meets Call It Sleep with a little bit of Frank Harris’s My Live and Loves thrown in to the extent that it’s a no holds barred saga of the extremes a human being can go to in his or her quest for attention. Ultimately Fame Shark is a book about a life and Young’s is a life that has the precocity and audacity of a Shelley who also had a considerable amount of what euphemistically used to be called “experience” at a young age and the fearlessness of a Philippe Petit. |
Monday, August 26, 2013
Fame Shark
Friday, August 23, 2013
The Digital Faust
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| Burgess Meredith in “Time Enough to Last" |
Thursday, August 22, 2013
Make Love and War
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| photo: Ralf Lotys (Sicherlich) |
Wednesday, August 21, 2013
The Mexicanadian Threat
European and Middle Eastern countries are often bounded by
hostile neighbors. The Battle of Britain was a turning point in the Second
World War. Yet if the English had lost the Germans still would have had to
cross the Atlantic to invade the United States. Philip K. Dick’s The Man in the High Castle imagines the colonization of America by the Axis powers. In Philip Roth’s The Plot Against America, it’s a homegrown fascist backlash that makes the country vulnerable. But before we feel a smug superiority to the geographic turmoil abroad, we
should be aware of the threat of invasion from the
South or the North, from Mexico or Canada, who someday may turn into the
equivalent of the Axis powers. While the landmass of Mexico or Canada might not
rival Russia, China or even India, they are both greater than Japan, Italy and
Germany, our enemies during the second world war. Why are we being complacent?
Why are we not arming ourselves against an invasion, particularly by the
Canadians? Back in the 50’s there was a popular television series called Sergeant Preston of the Yukon. The
series was a thinly veiled manifesto of Canadian superiority. Remember Canada
boasts Alice Munro one of the greatest short story writers in the world and
lest we forget Dan Aykroyd emanated from Canada. The Canadians will start by
taking over organs of culture like The New Yorker, where many of Munro’s
stories have appeared, and SNL which Aykroyd once dominated and before long
their will be mounties and dogsleds lined up along our borders. It might seem like an unholy
alliance but who is to say that one day Canadian short story writers and
humorists won’t join forces with the followers of Mexican culture heroes like Carlos Fuentes and Octavio Paz. In a deadly pincer
movement Canadians and the Mexicans will place their puppets in The White
House.
Tuesday, August 20, 2013
All We Need of Hell
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| Harry Crews
Harry Crews’ Karate is a Thing of the Spirit was the literary man’s version of Sun Tzu’s The Art of War. All We Need of Hell is another war novel by Crews, who died in 2012. It's no
longer in print, but deserves to be reissued. When we say war in relation
to Crews we are talking primarily about inner turmoil (though there is occasional sniper fire). Thurber’s The Secret Life of Walter Mitty is a another version of this kind of interiorized banter. Duffy Deeter is Crews’s anti-hero and one might suppose alter ego. We
meet him fantasizing about Treblinka, Dachau and Auschwitz in order to prolong
his orgasms with his coke tooting mistress Marvella Sweat. “Nothing centered a man
like pain, “ is one of Duffy’s mantras (he’s a practitioner of Zen) who has a
gym in his Winnebago where he also stashes a copy of Graham Greene’s The Power and the Glory. During a particularly
violent handball game, he delivers a Okinawan roundhouse reverse to a football star named Tump Walker, an acquaintance of his law partner, Jert McPhester. Jert’s a former
University of Florida, All American who suffers from a severe case of coitus
interruptus when Duffy finds him in bed with his wife, Tish. Duffy’s son, Felix, is a momma’s boy who favors Baby Ruths. Tish, a former gymnast, files for
divorce when Felix hurls after an exhausting workout in which Duffy tries to
shape the boy up. Crews pulls no punches. He’s the Ur-intellectual shock jock (not that there really have been any since him) and
yet underneath all the fascination with pain and the courting of it, is another
kind of pain that his character hardens himself against. And that’s the
disappointment in love. “Could you love someone who constantly revolted you,”
Duffy muses about his son. It’s a question that could be asked about any of
the people Duffy encounters, including himself. In his search for redemption, Duffy Deeter does have something in common with Graham Greene “whiskey priest." Here however is Tump Walker, who turns out to be a great bon vivant and lover of life, on the subject of death: “The thing that pisses me off is that you got to die in the middle of something, you dig? Unfinished. You pick up a fine looking bitch in a bar and you’re on the way to her apartment to get in her pants and you get run over by a truck. That’s annoying. Yeah. Or you order the best steak in the place and while it’s on the way to your table, you pitch forward in your salad, dead. That’s annoying.” The only annoying thing about this ribald and hilarious novel is that it too must come to an end.
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