Flesh

David Szalay's Flesh received a Booker before the judges could say "boo." The subject is Istvan, a Hungarian version of Kosinski's Chance in Being Time, (played by Peter Sellers in the Ray Ashby movie. Szalay's main has what might be called "out-of-body, body experiences." In other words, lots of sex for which he is "here because he is not all there," to coin a phrase used by 12 steppers. He is seduced by a neighbor at the beginning. At first, he isn't attracted, but the sex is an awakening particularly to her anatomy which includes an alluring bit of hair that runs up from her vagina to her belly button. He is rebuffed in his first love experiences and ends up in juvenile detention after accidentally or not so accidentally killing the woman's husband, by pushing him down a flight of stairs. This question of intention is of course essential in determining culpability, but it's a metaphor for Istvan's condition, which vacillates between the conscious and unconscious. You may recognize this personality type from an adolescent reading of The Stranger, It may even register more intimately, but that is also the problem. The book is sexy and hard to put down, but is it original? Does it expand the readers horizons? Or does it leave them trapped like a rat on the behavioral  or even psychoanalytic treadmill? (to be continued).

read "Double Reverse Midas Touch" by Francis Levy, The East Hampton Star