Rants and reactions to contemporary politics, art and culture.
Friday, January 4, 2019
Rome Journal: Et Tu, Brute? Country
Pantheon at Night (photo: Francis Levy)
Rome is “Et tu, Brute?" territory. Of course the Largo di Torre Argentina is legendarily where it all took place. Lurking in front of the ancient dirty stone structures are conspirators waiting to stab you. Walking the cobblestoned streets of the Piazza della Rotonda towards the Pantheon, on a midwinter night shortly after the holidays, with Christmas lights still strung along all the adjacent streets, one is immediately stung by the play between light and dark. Beauty and festivity coexists with terror and in the shadows of the ancient structure under its famed Oculus treachery lurks. What a perfect location Orson Welles would have found if he had chosen Rome instead of Vienna for The Third Man. Rome exudes a garrulous joy, but sometimes it comes at you like a staggering drunk, seeing things and swinging wildly at imagined adversaries. Rome is also the perfect city for those people whose interpersonal relations are really conversations with themselves. Bravo Bravo, you hear it all the time and from the moment you get off a plane at Fiumicino and get hustled to pay twice the 48 Euros it would normally cost to ride into town in a city cab. Death in Venice?
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Francis Levy's debut novel, Erotomania: A Romance, was released in August 2008 by Two Dollar Radio.
His short stories, criticism, humor, and poetry have appeared in The New York Times, The Washington Post, The New Republic, The Village Voice, The East Hampton Star, The Quarterly, Penthouse, Architectural Digest, TV Guide, The Journal of Irreproducible Results, and other publications. One of his Voice humor pieces was anthologized in The Big Book of New American Humor (HarperCollins). His collection of parables, The Kafka Studies Department with illustrations by Hallie Cohen will appear in
September.
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