“What will they think my neighbors,?” says Apu (Soumitra
Chatterjee) in the third installment of Satyajit Ray’s Apu Trilogy, Apur Sansar (The
Word of Apu, 1959), currently being revived at Film Forum and other theaters. “I’m invited to a wedding
and come home with the bride.” In another scene Apu, a fledgling novelist is
chastened by his friend Pulu (Swapan Mukherjee) “to experience
everything.” “Is imagination worth nothing?” Apu asks in response.
Significantly one of the first jobs the destitute young writer applies for is
that of a labeler. Taking one look at the Dickensian workshop, Apu flees, but
the scene is prescient. While the first two films in the trilogy Pather Panchali (1955) and Aparajito (1957) are about the awakening of consciousness, Apur Sansar is
about action. And the action is more like life than art to the extent that it
defies easy categorization. All three movies are based on two Bengali novels by
Bibhutibhushan Bandopadhyay and you think the pieces of the puzzle are finally
coming together. The movie will be the story of a successful novelist who marries
into a wealthy family. Yet Apur Sansar defies expectations. Apu literally throws
his writing to the wind and in a memorable scene is about to turn his back on
the one connection he has left in the world, a little boy, Kajal (Alok Chakravarty), he barely knows.
Amidst all this we are confronted with a melodramatic Bollywood style cast which includes a mad groom and would be mother-in-law who treats Apu,
as an incarnation of Shiva. And there’s even a period of seeming repose-- in which Apu and his new wife Aparna (Sharmila Tagore) fan each other as they eat on the floor of their humble one room abode--an idyll that is soon taken away. The only constant is change might be the motto
of the this last of the Apu movies. There’s an unforgettable scene in which the rambunctious Kajal appears in the distance. The moment of comfort is followed by the prospect of the literal winding road that faces Ray’s protagonist. It’s an ending that eludes any clear direction and poses more questions than answers about Apu’s prospects and ultimate fate.
Friday, June 5, 2015
Apur Sansar (The World of Apu)
Labels:
Aparajito,
Apu Sansar,
Pather Panchali,
Satyajit Ray,
The Apu Trilogy
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