You drive down to the old Lexington Market in Baltimore,
famous for its crab cakes and other sea food.The market, which was started in 1782, is an old and venerable institution. However, an adjacent corner is filled with men and women with no place to go who hang out
listlessly in front of a beaten down storefront where take out Chinese is sold. These are not the
itinerant homeless whose eyes you seek to avoid. William H. Whyte
wrote a book called Street Corner Society
back in l943 and what you see on Lexington Street in the dilapidated outskirts of Baltimore’s downtown area is
the epitome of the expression. It’s like a person who wears his jacket inside
out. This is a world where life is lived in a fishbowl. A driver cruising
through the neighborhood has to beware for behind the listless sullen eyes is
also a chaotic, explosive anger, that takes the form of erratic eruptions which
are impervious to traffic. The 15 story Emerson Bromo-Selzer Tower, built in l911 and fashioned after Florence's Palazzo Vecchio, stands out
as a curiosity and the sprawling Maryland Institute College of Art Campus has
gobbled up much of the adjacent neighborhood; only a mile away luxury
hotels like the Marriott and the Four Seasons carve up the expensive waterfront like Mafia dons divvying up the drug trade. But Lexington Street is the kind of neighborhood immortalized on the HBO series, The Wire. It manifests an entrenched poverty which a city like New York now only exhibits in patches. Here the burned
out blocks, punctuated with anomalously elegant bits of red brickVictoriana, are a
testament to a depression both economic and psychological that's taken on a life of its own.
Tuesday, February 10, 2015
Land of The Wire
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