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Photograph by Hallie Cohen |
“Superman Recites Selections from ‘The Bell Jar’ and Other Works by Sylvia Plath” from l999 is one of the video installations in the
Mike Kelley exhibition which just closed at MoMA PS1. Along with the
Kandor pieces devoted to Superman's preservation of his childhood world on Krypton--a series of bell jars in and of themselves-- this
piece contains two central elements of Kelley’s iconography: fatalism and popular culture. Actually the exhibit was an
iconography party filled with self-annihilators like Plath and Pasolini (one of
the works from a series called
Banners from College Campus Flyers is an
advertisement for an
“Actor to Play Pier Paolo Pasolini…age not important, noacting experience required.” Wilhelm Reich’s Orgone boxes and Marx’s lumpenproletariat all makes appearances, though in a very telling intersection
between art and chance, Kelley’s
“Lumpenprole and Ageistprop,” an afghan
covering a series of found objects was removed from the exhibition, leaving
only the memory of something that once was. Which is really the point. Kelley's work explores the interior of the psyche, mining repressed memories of childhood, of
trauma, of sex. His paintings of pre-op transsexuals are perhaps the most
obvious manifestation his edgy sexuality, but there's an evanescence to much
of Kelley’s work, as if the fate of "Lumpenprole" were prophetic. Kelley was also fascinated with schools (MoMaPS1, a former school, was the perfect venue for this show). One of his
works is titled
“Educational Complex” (1995) and here is the writing one finds on the wall of another piece,
"A Continuous Screening of Bob Clark’s Film Porky’s (1981), the Soundtrack of Which Has Been Replaced with Morton Subotnick’s Electronic Composition
The Wild Bull (l968), and Presented in the Secret Sub-Basement of the Gymnasium Locker Room (
Office Cubicles), 2002
," “say fellows watch it when you force ol' Horseface to
suck you off. His buck tooth overbite will cap off your dick just as easily as
the top off a beer bottle.” Who doesn’t remember the study of jottings
like this being interrupted by a wad of wet
paper towels thrown over the stall of a high school toilet?
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