They Fight With Cameras

When you visit Omaha beach, you're astounded by the Sisyphean nature of the task the invading allied armies faced. Soldiers stared death in the face. One can't imagine mustering up the level of courage required to scale those cliffs under enemy fire. Nina Rosenblum and Danny Allentuck's They Fight With Cameras tells the story of Walter Rosenblum, the famed photographer who filmed D-Day, Dachau and numerous signposts of invasion, as a member of the Signal Corps. It's a rather amazing document that will break the composure of even the most hardened souls. The film also tells the story of its own inception through lost letters, miraculously retrieved, that Rosenblum had written to his first wife. But it's particularly significant today, since it trades in empathy and sentiment, two notions that are in short supply in the current universe of self-regard. Soldiers risked their lives and cared about their compatriots from other countries. Sounds obvious, no? Not in the transactional hell, the world of Trump, Putin and their minions where no human being does anything for anyone, unless there is something in it for them. "Lasciate ogne speranza voi ch'intrate" abandon all hope, ye who enter here" are the words that graced the gate of Dante's Inferno and that should be the warning to visiting dignitaries like Volodymyr Zelenskyy and Cyril Ramaphosa who dare to enter the current White House.

read "The Waste Land" by Francis Levy, The East Hampton Star

and also read "Punk" by Francis Levy, Vol.1 Brooklyn