Jan Bradley |
Here is a passage from “Dante: The Most Vivid Version,” a
review essay by Robert Pogue Harrison (The New York Review of Books, 10/24/13) devoted to two recent translations of
Dante (one of Dante’s Inferno by Mary Jo Bang and the other of The Divine Comedy by Clive James) and Dan Brown’s latest thriller Inferno : “The great metaphysical doctrine underlying The Divine Comedy is that time is
engendered by motion. Like the medieval scholastic tradition in which he was
steeped, Dante subscribed to Plato’s notion that time, in its cosmological
determinations, is ‘a moving image of eternity.’ He subscribed furthermore to
the Platonic and Aristotelian notion that the truest image of eternity in the
material world is the circular motions of the heavens. Thus in Dante’s Paradiso, the heavenly spheres revolve
in perfect circles around the ‘unmoved Mover,’ namely God.” In addition to
being a professor of literature at Stanford, Robert Pogue Harrison, according to
Wikipedia, is also a rock musician, who plays the lead guitar for a band named Glass Wave. This may explain why his locutions
about time and eternity, which might be best compared to music, are so catchy. Like “Blue Moon,” or “Duke of Earl,” you can’t get them out of your head. Here is another one by a long
forgotten recording artist of the 60’s named Jan Bradley, which you may also find difficult to get out of your head. It’s called “Mama Didn’t Lie.” Listen to it.
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