In a Times Op-Ed piece Roger Cohen
describes the pleasures of anachronism in his description of Berlin’s Hotel Savoy (“The Virtue of Redeeming Vice,” NYT, 12/26/14). “It has taps and regular light switches rather than electronic command
consoles designed to bamboozle. Its staff tends towards the gruff. Its
clientele tends towards avoidance of gyms. Nobody asks for you room number when
you walk in for the excellent breakfast. Right next to reception is its cigar
bar, where you can drink and smoke into the wee hours as the masters of
espionage did back in the Cold War days.” Does this description remind you of Wes Anderson’s The Grand Budapest Hotel (2014) or Grand Hotel (1932)? One thing is sure it’s not the Hotel California,
nor is geared to modern technophiles like former New York Mayor Michael
Bloomberg who attempted to legislate the consumption of soda as well as
cigarettes. However, it’s definitely going to appeal to those
who have ended up with toilet water up their ass and unwashed hands when they
attempted to use the bathrooms in one of the more technologically advanced and politically correct hotel rooms that populate modernity. Occasionally one runs into people who would
be perfect inhabitants of the kind of redoubt that Cohen describes. They're the kind of polymathic intellectuals who time has left behind. In the age of
specialization, they know about everything. They not only smoke but smoke
strong French cigarettes, like Gitanes and Gauloises.
They drink a little too much, but only know AA, the way one might encounter a
minor character in a novel. They have, of course, read The Interpretation of Dreams, but the whole enterprise by which character is questioned or changed is
simply not part of their project--the whole point of which is to dig their
heels ever more deeply into the life they have always lived, with all its
infidelities, imperfections and even life lies. They're devoted to no higher
calling than the perpetuation of a certain level of impervious cultivation,
though they're more colorful than some healthier reinvented personalities who
are Codependent No More. It’s nice to know that there're still people who defy the notion of progress and it’s even nicer to know that that there's a hotel
in a grand old metropolis which caters to them. Whether descendants of
metrosexuals, who check their recovery group meeting lists when they arrive at their hotels, could tolerate Cohen’s description of “how wonderful it is to walk
into the fug of cigar smoke in the hotel lobby,” without throwing up, is another
story.
Showing posts with label Grand Hotel. Show all posts
Showing posts with label Grand Hotel. Show all posts
Wednesday, February 4, 2015
Tuesday, February 12, 2013
Employees' Entrance
A l933 movie called Employees' Entrance was playing a Film Forum recently, but it was being exhibited for
one day only—a day on which a major blizzard was threatening the city. The
depression era movie directed by Roy Del Ruth is about a ruthless department
store manager, Kurt Anderson (Warren William), whose credo is “smash or be
smashed.” Luckily there was a trailer for the movie on the TCM site. THOUSANDS
OF LIVES IN THE PALM OF HIS HAND MERCILESSLY HE DRAGS THIS GIRL TO DISGRACE
THIS BOY TO RUIN THIS GIRL TO SHAME TAKES YOU THROUGH THE BACK DOOR OF A
GIGANTIC DEPARTMENT STORE AND REVEALS THE DRAMA THAT TRANSPIRES BEHIND THE SCENES. The titles roll over crowds of shoppers in a
glamorous larger than life setting. Grand Hotel released the year before is the obvious influence. Madeleine Walters West (Loretta Young) is the
girl Anderson seduces. Martin West (Wallace Ford) is the man Madeleine really
loves. The trailer seemed longer than some short movies. Not really, but it’s
nice to say and in the interlude between the explosive looking graphic
jeremiads (that had the urgency of the old Movietone News), bits and pieces of the movie were
previewed. Some movies give you a peek a life through a crack in a door. In a
trailer like this, you get not a slice of life, but a slice of film. The whole can be greater than the sum of the parts; the sum of the parts can be
greater than the whole. But in this case, with the snow falling ever more
intensely, the part was greater than the
whole. It would have been nice to see the film, but in this case, it was enough to see the trailer, which was filled with a mood and mystery
all its own--in the comfort of one’s home.
Subscribe to:
Posts (Atom)


