Showing posts with label Grand Hotel. Show all posts
Showing posts with label Grand Hotel. Show all posts

Wednesday, February 4, 2015

Grand Hotel?




In a Times Op-Ed piece Roger Cohen describes the pleasures of anachronism in his description of Berlin’s Hotel Savoy (“The Virtue of Redeeming Vice,” NYT, 12/26/14). “It has taps and regular light switches rather than electronic command consoles designed to bamboozle. Its staff tends towards the gruff. Its clientele tends towards avoidance of gyms. Nobody asks for you room number when you walk in for the excellent breakfast. Right next to reception is its cigar bar, where you can drink and smoke into the wee hours as the masters of espionage did back in the Cold War days.” Does this description remind you of Wes Anderson’s The Grand Budapest Hotel (2014) or Grand Hotel (1932)? One thing is sure it’s not the Hotel California, nor is geared to modern technophiles like former New York Mayor Michael Bloomberg who attempted to legislate the consumption of soda as well as cigarettes. However, it’s definitely going to appeal to those who have ended up with toilet water up their ass and unwashed hands when they attempted to use the bathrooms in one of the more technologically advanced and politically correct hotel rooms that populate modernity. Occasionally one runs into people who would be perfect inhabitants of the kind of redoubt that Cohen describes. They're the kind of polymathic intellectuals who time has left behind. In the age of specialization, they know about everything. They not only smoke but smoke strong French cigarettes, like Gitanes and Gauloises. They drink a little too much, but only know AA, the way one might encounter a minor character in a novel. They have, of course, read The Interpretation of Dreams, but the whole enterprise by which character is questioned or changed is simply not part of their project--the whole point of which is to dig their heels ever more deeply into the life they have always lived, with all its infidelities, imperfections and even life lies. They're devoted to no higher calling than the perpetuation of a certain level of impervious cultivation, though they're more colorful than some healthier reinvented personalities who are Codependent No More. It’s nice to know that there're still people who defy the notion of progress and it’s even nicer to know that that there's a hotel in a grand old metropolis which caters to them. Whether descendants of metrosexuals, who check their recovery group meeting lists when they arrive at their hotels, could tolerate Cohen’s description of “how wonderful it is to walk into the fug of cigar smoke in the hotel lobby,” without throwing up, is another story.

Tuesday, February 12, 2013

Employees' Entrance


A l933 movie called Employees' Entrance was playing a Film Forum recently, but it was being exhibited for one day only—a day on which a major blizzard was threatening the city. The depression era movie directed by Roy Del Ruth is about a ruthless department store manager, Kurt Anderson (Warren William), whose credo is “smash or be smashed.” Luckily there was a trailer for the movie on the TCM site. THOUSANDS OF LIVES IN THE PALM OF HIS HAND MERCILESSLY HE DRAGS THIS GIRL TO DISGRACE THIS BOY TO RUIN THIS GIRL TO SHAME TAKES YOU THROUGH THE BACK DOOR OF A GIGANTIC DEPARTMENT STORE AND REVEALS THE DRAMA THAT TRANSPIRES BEHIND THE SCENES. The titles roll over crowds of shoppers in a glamorous larger than life setting. Grand Hotel  released the year before is the obvious influence. Madeleine Walters West (Loretta Young) is the girl Anderson seduces. Martin West (Wallace Ford) is the man Madeleine really loves. The trailer seemed longer than some short movies. Not really, but it’s nice to say and in the interlude between the explosive looking graphic jeremiads (that had the urgency of the old Movietone News), bits and pieces of the movie were previewed. Some movies give you a peek a life through a crack in a door. In a trailer like this, you get not a slice of life, but a slice of film. The whole can be greater than the sum of the parts; the sum of the parts can be greater than the whole. But in this case, with the snow falling ever more intensely, the part was greater than the whole. It would have been nice to see the film, but in this case, it was enough to see the trailer, which was filled with a mood and mystery all its own--in the comfort of one’s home.