“For Heidegger , the fact of Mitsein, of the human being sharing a world in common with others,
is the very condition of solitude…Precisely because we share a common world in
which we can speak to and understand one another, we are liable equally to
divide and differentiate ourselves from one another, above all by means of lies
and deceit. Language is at once the source of a common world and of ’the absence of a common world, the irremediable solitude without salvation of the living being.'” The quote is from, “Run to Death," Josh Cohen’s review of Derrida’s The Beast and the Sovereign Volume Two in
the December 21 and 28 edition of the TLS.
And the subject is Derrida’s analysis of two texts, Robinson Crusoe and Heidegger’s “1929-30 seminar on the concepts of
World, Finitude and Solitude.” Cohen provides a heady meditation on a
hefty tome. But in actuality it’s a rather basic description of an intrinsic
contrariety of human nature. Whoever thought that names like Defoe and Heidegger
employed in the service of Derridean deconstruction could yield such a
wonderfully simple truth about the self? Put even more succinctly
alone = all one. Whoever thought Derrida, an intellectual known for his prolix and reticulated formulations could make statements with the aphoristic clarity of a Montaigne?
Showing posts with label Robinson Crusoe. Show all posts
Showing posts with label Robinson Crusoe. Show all posts
Thursday, February 21, 2013
Tuesday, September 29, 2009
Against Nature
Nature is regarded as a respite, a solace, a source of man’s power and a reflection of his inner being, as in the notion of the pathetic fallacy. But what if nature is inimical to man, dissonant with man’s inner being? The beauty of the natural wonders of the world has the power to ennoble. But these wonders can just as easily alienate when they conflict with the inner sensibility of the perceiver. It is truly horrible to schlep all the way to the Grand Canyon and find nothing but tourists mouthing off meaningless hosannas of “Wow!” “Awesome!” “Spectacular!” Such hyperbole makes it impossible to objectively reconcile the inner our outer circumstances of existence.
Or take the sea. Much has been made of the sea, the waves, the salt water out of which life itself is supposed to have emerged. Yet the sea is also full of riptides, undertows, and ferocious gales. It erodes shorelines and its sandy beaches have increasingly become the repository for shards of glass, due to the resurgence in popularity of the long-neck beer bottle
Joris-Karl Huysmans wrote a book called Against Nature. It is a novel about a cosmopolitan, a dandy, a lover of the culture of the mind, with a penchant for the perverse. It is also an invaluable antidote to the unrealistic overvaluation of the natural, particularly as it relates to sexuality (an alternate translation of the French title, A rebours, is Against the Grain).
It’s not that nature should be destroyed, the seas polluted, the forests leveled, the fish and cattle killed (not to mention the rodents and reptiles). No, the equanimity of the ecosystem hinges on a more pacifist attitude towards nature. Removing greenhouse gases and preventing a meltdown of the polar ice caps is an obvious priority. No sense in turning polar bears into refugees or leaving seals in a sweat.
But nature is a little like government. Nature doesn’t always have the individual’s best interests at heart. Nature is not necessarily an ally. What is the story of Noah but the first attempt in the history of literature to describe man’s efforts to take up arms against nature? Defoe’s Robinson Crusoe was another depiction of the battle between man and a supposedly accommodating habitat. The lack of realism about man’s relationship with nature and beauty borders on the criminal, and in this case it is not a victimless crime.
Let’s face it: nature is overrated. The admiration of nature is purchased at the price of self love. Nature is like the kid who figures out the Rubik’s Cube. Most people just can’t keep up with him. The sublime beauty of the deserted factory may be the best testament to man’s place in the universe. Nature is a con artist creating the impression of mystery, of possessing something that others don’t have. Nature is like the soul who seems to have a monopoly on self-possession. Nature has driven men to suicide, and even murder, when the ugly imperfections of human existence stare them mockingly in the face.
Or take the sea. Much has been made of the sea, the waves, the salt water out of which life itself is supposed to have emerged. Yet the sea is also full of riptides, undertows, and ferocious gales. It erodes shorelines and its sandy beaches have increasingly become the repository for shards of glass, due to the resurgence in popularity of the long-neck beer bottle
Joris-Karl Huysmans wrote a book called Against Nature. It is a novel about a cosmopolitan, a dandy, a lover of the culture of the mind, with a penchant for the perverse. It is also an invaluable antidote to the unrealistic overvaluation of the natural, particularly as it relates to sexuality (an alternate translation of the French title, A rebours, is Against the Grain).
It’s not that nature should be destroyed, the seas polluted, the forests leveled, the fish and cattle killed (not to mention the rodents and reptiles). No, the equanimity of the ecosystem hinges on a more pacifist attitude towards nature. Removing greenhouse gases and preventing a meltdown of the polar ice caps is an obvious priority. No sense in turning polar bears into refugees or leaving seals in a sweat.
But nature is a little like government. Nature doesn’t always have the individual’s best interests at heart. Nature is not necessarily an ally. What is the story of Noah but the first attempt in the history of literature to describe man’s efforts to take up arms against nature? Defoe’s Robinson Crusoe was another depiction of the battle between man and a supposedly accommodating habitat. The lack of realism about man’s relationship with nature and beauty borders on the criminal, and in this case it is not a victimless crime.
Let’s face it: nature is overrated. The admiration of nature is purchased at the price of self love. Nature is like the kid who figures out the Rubik’s Cube. Most people just can’t keep up with him. The sublime beauty of the deserted factory may be the best testament to man’s place in the universe. Nature is a con artist creating the impression of mystery, of possessing something that others don’t have. Nature is like the soul who seems to have a monopoly on self-possession. Nature has driven men to suicide, and even murder, when the ugly imperfections of human existence stare them mockingly in the face.
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