John McPhee writes about his editors in a recent New Yorker (“The Writing Life,” The New Yorker, 7/2/12). The piece
actually centers around two subjects, money with respect to his Farrar,
Straus & Giroux editor Roger Straus (a scion of the Guggenheim fortune) and
the attitude toward the use of the words “fuck” and “motherfucker” by two renowned editors of the NewYorker, William Shawn and Bob Gottlieb. However significant the
manifest content, it’s only the window dressing for a
more profound subject, which is that of the guru. Shawn in particular was a
larger than life, imperious and mysterious personality, a short bald man whose
particular form of self-invention probably owes a good deal to the mystique of
the patrician literary world of mid-twentieth century America which The New Yorker’s Brahmin German Jewish
esthetic epitomized—and perhaps to L. Frank Baum’s The Wonderful Wizard of Oz. Would writers pay court to such figures as Shawn or
even Gottlieb today? Gordon Lish, an editor at Alfred A. Knopf, whose harrowing
writing workshops were recently portrayed in the Broadway play, Seminar, was
perhaps the last of these cranky old men of letters. The current editor of The New Yorker, David Remnick, for
instance, is a hard working journalist himself, who displays none of Shawn’s
antics. From the little one is able to glean he appears to be a product of the
Enlightenment, at least in publishing terms, a John Locke to Shawn’s Edmund
Burke. He gives all signs of being an empiricist and rationalist who would discountenance Shawn's brand of charisma. The art world of
midcentury America had its own share of brilliant, tyrannical intellects,
Clement Greenberg being the most noteworthy, who held sway over generations of
artists. But democracy has always facilitated mercantilism, and while The New Yorker is not run by the
aristocratic Shawn, it’s owned by the Newhouse's Advance Publications and one could argue that the gallerista Larry Gogosian holds more power over today’s art world than an
intellectual like Greenberg ever could.
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